The rattle of machine gun fire ringing out from the bunkers and motorcycle side-cars was deafening as the Germans fought to protect their ground, shrouded for a time behind the white plume of smoke that was by now drifting across the battlefield.
Mind you, some of the soldiers ambushed on “patrol” were a about a quarter-of-a-century too late for the encounter given it was a mock battle between American and German World War 2 forces; the advance party were dressed and kitted out for the jungles of Vietnam…!
But hang-on, what are those Vikings doing on the battlefield?
Didn’t they have their run a few centuries ago marauding and pillaging their way across England?
And aren’t those fancy looking blokes dressed to the “nines” with the feather plumes on their headgear “Frenchies” from the days when Napoleon was barking out orders as he roamed the countryside looking for trouble?
The scene was unfolding at Ironfest 2017 in the Central Tablelands township of Lithgow.
Ironfest is an arts festival that explores the relationship between humans, metal and identity and is held annually at the Lithgow Showground. It brings together artists, designer-makers, blacksmiths, and performers of all kind, musicians, Steampunkers, as well as historical re-enactors and steam-machine enthusiasts from all over Australia…
TomO, the Crown Prince, is a member of Ausreenact, a non-political World War 2 living history organisation made up of members who share a common interest in history and militaria, with a particular focus on the uniforms, equipment and vehicles of the Allied and Axis forces in the period 1939-1945. He re-enacts as a member of the US Forces 2nd Armoured Division and has quite a collection of gear and equipment he has assembled from the era and which he proudly had on display in his “bunker” during the weekend.
Each year Ausreenact, along with a number of other military groups, including those dedicated to Napoleonic re-enactment and Knights from medieval times, are invited to attend and take part in the festival.
No wonder the “battle-ground” was chaotic…
Medieval swords flashed and clashed to the boom of Napoleonic guns that were challenging the armoured vehicles from more modern times.
When the Knights were not swinging their swords in battle they were charging at each other in a medieval jousting match.
And here I was thinking how macho I must look wielding the whipper-snipper with menacing precision each time I trim the moraya hedge at home. Strewth, talk about starting to feel just a tad inadequate.
So I’ll just move on…
Away from the “battlefields” there was the sound of iron striking iron on anvils as blacksmiths demonstrated their craft, beads of sweat rolling down their faces as they forged metal into works of art.
And hey, what about all those Steampunk people…?
Steampunk I hear you ask? I too had to look up the definition of a “Steampunker” and I am still not sure I have it right.
One of the best definitions for a Steampunker I have come across is from Jess Nevins, author of the Encyclopedia of Fantastic Victoriana (it hasn’t come up on my book club read list yet) who said…
“Steampunk is what happens when Goths discover brown.”
The costumes were as varied as the people that dressed in this fashion genre inspired by the Victorian era of steam and industrial machinery. I think it was the default costume for many who attended the festival.
But the Steampunkers seemed a happy bunch even if the women’s corsets appeared three sizes to small and their mode of transport was from another age if not simply strange…
Without doubt this weekend is possibly the two days of the year the various groups can safely come out from behind closed doors and still look normal; safety in numbers, so they say.
The activity was as diverse as it was frenzied, but somehow it all worked and integrated in a way that you would not think possible and I even got to take Janet-Planet on the cruise she has always wanted to do…
On the infamous “Love Boat”…
Photos: Baz – The Landy & Janet-Planet, Lithgow, Australia…
After weeks of rain in Sydney, Baz and I managed to find a sunny day to walk through a favourite spot of ours in the Kuringai National Park in the northern suburbs of Sydney. The rain had washed the bush clean and the colours in this banksia were glorious!
Photo: Janet Planet – Kuringai National Park, Sydney
As part of TomO’s school curriculum he does military cadets and is keen to advance to a full military career in the future and this coming week he is off to an army cadet camp at Singleton Army barracks in the Hunter Valley.
And this year I get to tag along and join in the adventure, although I suspect for me it will be peeling sacks of potatoes and onions to feed the “starving” cadets who will number approximately 330.
Mind you, a week in the bush is right up my alley and with a bit of luck I get to drive one of the army trucks and take a ride in a black-hawk helicopter – such is life in the “retired ranks”…
Speak to you in a week, Baz – The Landy
Currently, there is an exhibition of wonderful sculptures, hand-crafted by talented artist’s of all backgrounds, in a picturesque harbourside park with sweeping views of the city and the iconic Sydney Harbour Bridge. We spent a morning wandering around Clarke Reserve at Woolwich, an old historic harbour suburb where the exhibition is being held, viewing and photographing the many artworks on display.
For us, one stood out…
“So Many Tears” by Keith Chidzey”
In creating this work, Keith used two old wharf timbers and embedded glass tears into the wood.
It was simple, poignant, and a very moving tribute to the artist’s great-uncle, Private Ryles, who perished in the mud of Passchendaele, Belgium, over 100-years ago.
The choice of the wharf timbers is to recognise they most likely witnessed the embarkation of Australian Troops onto ships from the many wharfs dotted around the harbour. Loved ones waving, wiping away their tears as they strained to catch one more glimpse as the troop ship pulled away from the wooden dock.
“We shall remember them…”
Each of the timbers has a carved relief, one of a slouch hat; the other with the inscription on Private Ryle’s headstone where he lays in the cemetery at Tyne Cot.
And, sensitively, one of the timbers is facing the sunset, the other the sunrise.
We reflected on this wonderful piece of artwork, its simplicity amplifying the ultimate sacrifice that too many of our fellow countrymen and women made so we can enjoy the freedoms that we have today; to be able to sit in a quiet reserve on Sydney Harbour’s foreshore in relative safety and free from the anxiety that conflict and war brings.
Bravo Keith, you have created far more than a wonderful sculpture to be admired, it is a wonderful tribute to your great-uncle, to all those who served, and to those who currently serve.
“We shall remember them…”
Photos: Baz – The Landy, & Janet-Planet, Sydney Harbour, Australia